The Museum of Hoaxes
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Swiss peasants harvest spaghetti from trees, 1957
The Great Space Monkey Hoax, 1953
Man flies by own lung power, 1934
September Morn, the painting that shocked the censor, 1913
Paul Krassner's Stereophonic Hoax, 1960
The Crown Prince Regent of Thulia, 1954
Bonsai Kittens, 2000
The Cradle of the Deep, a literary hoax, 1929
The Society for Indecency to Naked Animals, 1959
What do the lines on Solo cups mean?
Ken Campbell and the Royal Dickens Company
Ken Campbell recently died at the age of 66. The Telegraph's obituary describes him as "an actor, writer and director of wilful eccentricity" who worked in experimental theater. However, he was perhaps best known for a hoax he pulled off in 1980, when he sent around letters announcing that the Royal Shakespeare Company was renaming itself the Royal Dickens Company.

I couldn't find a good description of this hoax online (and, unfortunately, I've never gotten around to writing one up... so many hoaxes, so little time). So here's an account of the hoax from Nick Yapp's book Great Hoaxes of the World:

In 1980, Campbell went to the Royal Shakespeare Company's production of Nicholas Nickleby. A friend in the cast told him that Trevor Nunn, the producer of Nicholas Nickleby, had encouraged the cast at rehearsals to adopt the style of The Ken Campbell Road Show in their approach to parts of the play. Although Campbell sat in the front row, and enjoyed what he saw, the link with his own Road Show escaped him. After the performance, he went backstage where one of the cast had a bowl of fruit in his dressing room. Friends were invited to help themselves from this bowl, but there was a catch in the banana. If anyone touched it, it turned into a penis. Campbell says that it was this that in some way inspired him to create his hoax.

With the help of a couple of friends, Campbell had some headed writing paper printed, a perfect replica of the Royal Shakespeare Company notepaper, save for the replacement of 'Dickens' for 'Shakespeare', and 'RDC' for 'RSC'. He also discovered that Trevor Nunn signed his letters 'Love, Trev'. Campbell wrote dozens of individual letters to actors, writers, directors, producers, designers and composers, as well as to Sir Roy Shaw of the Arts Council. A typical letter read:

Dear X,
As you probably heard there has been a major policy change in our organization.
Nicholas Nickleby has been such a source of real joy to cast, staff and audience that we have decided to turn to Dickens as our main source of inspiration.
So that'll be it for the bard as soon as our present commitments decently permit.

There followed a suggestion for the next production: Sketches by Boz, Bleak House, or The Pickwick Papers. Each letter ended with an individually tailored invitation. For Lindsay Anderson, Campbell signed off with: 'Thinking of you brings The Old Curiosity Shop to mind. What a coup if you could bring Sir Ralph and Sir John together again in a script by David Storey. I feel your cool, intelligent approach is going to be badly needed in these new times.' Max Stafford Clark was offered Barnaby Rudge as a production: 'I find this a compelling piece which could be admirably served by your sparse, clear directorial style -- especially if the whole sweep of the book could be captured with the aid of no more than six chairs.' Norman St John Stevas, the Arts Minister, was told: 'The first production of the RDC is hoped to be Little Dorrit. Any thoughts you have on this will, as always, be treasured.' To accompany the letters and add punch to the campaign, the Aldwych Theatre was covered in RDC posters, in the style of the RSC, giving advance notice of the production of Little Dorrit.

The RSC production of Nicholas Nickleby was spread over two nights, and it was a few nights later that Campbell went to see the second half. He was told that the letter had not gone down well, and that Trevor Nunn had called in the Special Branch. There was no suspicion on Campbell, as Nunn believed it was an inside job. Newspaper reports of the hoax grandly exaggerated the affair, saying that 'thousands of sheets' of RDC notepaper had been printed, and that 'hundreds of letters' had been sent. Trevor Nunn was reported as saying: 'It is deeply embarrassing; a lot of people have written to me refusing, or, even more embarrassing, accepting the offers'.

Some months later, while Campbell was working at the Everyman Theatre, Liverpool, he was phoned by a researcher from the BBC TV programme Newsnight, who accused him of being the RDC hoaxer. Campbell denied it at first, and consulted with his accomplices, who offered him mixed advice. He decided to come clean, and was asked to appear on Newsnight. In the television studio, where he made his confession, he was horrified to see himself, on a monitor, lit like a terrorist, a sinister, dark figure in silhouette. But the affair blew over with no harm done and no recriminations.
Categories: Death, Entertainment, Literature/Language
Posted by The Curator on Thu Sep 11, 2008
Comments (6)
"Friends were invited to help themselves from this bowl, but there was a catch in the banana. If anyone touched it, it turned into a penis."

Uh, excuse me? This worked how exactly? Hypnosis?
Posted by Cranky Media Guy  on  Thu Sep 11, 2008  at  08:34 PM
I wondered about that myself. Some kind of footnote or further explanation would have been nice.
Posted by The Curator  in  San Diego  on  Fri Sep 12, 2008  at  04:09 PM
Interesting that the hoax led to an appearance on TV, as he claimed never to watch TV as he was (he said) allergic to radiation emitted by TV sets.
Posted by Mr Henderson  in  London, UK  on  Fri Sep 12, 2008  at  07:11 PM
"Interesting that the hoax led to an appearance on TV, as he claimed never to watch TV as he was (he said) allergic to radiation emitted by TV sets."

Reminds me of Mr. Rodale (founder of Rodale Publishing) who died on a never-aired episode of the Dick Cavett Show, moments after explaining how electromagnetic fields were harmful to humans.

If you think that EM radiation is bad for you, a TV studio is about the last place you should be.
Posted by Cranky Media Guy  on  Sat Sep 13, 2008  at  04:28 AM
"Friends were invited to help themselves from this bowl, but there was a catch in the banana. If anyone touched it, it turned into a penis."

Thank gods I'm not the only one scratching his head on that one. I've noticed there is more and more bad writing out these days. People just can't seem to um... what's it with the thingy... you know what I mean?
Posted by Mitur Binesderty  on  Wed Oct 22, 2008  at  02:00 PM
The lead in the excellent RSC Nicholas Nickleby was Roger Rees and as Ken told it the fruit bowl was there for people queuing up to congratulate him in his dressing room after the show. According to Ken his ex-girlfriend actress Susan Littler (also in the show) had put the fake banana in the bowl to puncture some of the pomposity of this. It was a plastic replica banana with a joke penis in it that sprung out when the thing was handled. Ken saw his RDC hoax as a similar kind of pomposity pricker on a larger scale, though he stresses the show was excellent (if a bit of an unexpected foray into the kind of theatrical experience he and others produced for the RSC).
Ken did watch telly by the way, it was a character in his monologue Jamais Vu who claimed to have had his ocular endocrine system damaged by watching too much of it.
Posted by Ian Potter  on  Fri Dec 12, 2008  at  06:20 PM
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