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About the Museum
The Museum of Hoaxes, founded by Alex Boese in 1997, is dedicated to promoting knowledge about the phenomenon of hoaxes. On our blog (to the left) we post about dubious-sounding claims — and whatever else strikes our fancy. But there's more to the museum than the blog. Check out our historical wing, which contains hundreds of articles about famous hoaxes, arranged chronologically from the Middle Ages right up to the present. Our Gallery of the Top 100 April Fool's Day Hoaxes Ever celebrates that one day of the year devoted to pranks and practical jokes. In our forum, you can chat with other MoH members. And there's much, much more.
The Museum of Hoaxes, founded by Alex Boese in 1997, is dedicated to promoting knowledge about the phenomenon of hoaxes. On our blog (to the left) we post about dubious-sounding claims — and whatever else strikes our fancy. But there's more to the museum than the blog. Check out our historical wing, which contains hundreds of articles about famous hoaxes, arranged chronologically from the Middle Ages right up to the present. Our Gallery of the Top 100 April Fool's Day Hoaxes Ever celebrates that one day of the year devoted to pranks and practical jokes. In our forum, you can chat with other MoH members. And there's much, much more.
| BOOKS BY THE CURATOR | ||
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Category: Art
Incompetent art forgers try to sell “Warhol” portrait of non-existent Baldwin brother
From the Salt Lake Tribune:According to charging documents, the couple agreed to sell another man six Andy Warhol art pieces for $100,000 in February 2008. The man was told that the subject of the art was Mathew Baldwin, purportedly one of the brothers in the family of actors. The pieces were signed and dated 1996.
After giving the couple a down payment of $25,000, the man took the art to an appraiser in California. The appraiser informed the man the art was fake because there was no Mathew in the famous Baldwin family. He also pointed out that the signatures were forged because Warhol died in 1987, charging documents state.
After giving the couple a down payment of $25,000, the man took the art to an appraiser in California. The appraiser informed the man the art was fake because there was no Mathew in the famous Baldwin family. He also pointed out that the signatures were forged because Warhol died in 1987, charging documents state.
The fact that the buyer didn't bother to check if there really was such a person as "Mathew Baldwin" before forking over $25,000 to the couple makes him almost dumber than they are.
Elmer de Hory Movie
Another film about a famous hoaxer is in the works. Julian Temple plans to make a movie about the art forger Elmyr de Hory. From reuters:The British filmmaker will take on the story of art faker Elmyr de Hory, who created and sold forgeries of paintings by the likes of Picasso and Matisse to collectors around the world between the 1940s and 1960s.
De Hory, a Hungarian native, told his story to the equally notorious hoax biographer Clifford Irving (played by Richard Gere in "The Hoax" in 2007) for the book "Fake!" Additionally, Orson Welles made a documentary about him, "F For Fake."
De Hory, a Hungarian native, told his story to the equally notorious hoax biographer Clifford Irving (played by Richard Gere in "The Hoax" in 2007) for the book "Fake!" Additionally, Orson Welles made a documentary about him, "F For Fake."
A fork in the road, literally
A few days ago a fork appeared in the middle of a Pasadena road. It's located, appropriately, at a fork in the road, where Pasadena and St. John avenues divide. From the Pasadena Star News:It turns out the fork is an elaborate - and expensive - birthday prank in honor of the 75th birthday of Bob Stane, founder of the Ice House comedy club, who now owns the Coffee Gallery Backstage in Altadena...
The wooden fork, is "expertly carved and painted," to look like metal, Stane said. "It's anchored in 2 1/2-feet of concrete and steel. It's not a public danger - unless someone drives into it."
The wooden fork, is "expertly carved and painted," to look like metal, Stane said. "It's anchored in 2 1/2-feet of concrete and steel. It's not a public danger - unless someone drives into it."
(Thanks, Bob!)
Reverse Counterfeiting: The Case of the Gold Penny
Most counterfeiting takes something that is nearly worthless and turns it into something perceived to have value. Mr. Daws did just the opposite. He took value — approximately $100 worth of gold — and turned it into something perceived as nearly worthless, one cent. “It’s there, but if people don’t realize it, it’s the same as not being there,” he said. Of the 11 copper-plated gold pennies he made as part of his series, only this one was sent into the wider world...
Late this summer, when Ms. Reed was paying for groceries at the C-Town supermarket in Greenpoint, she noticed the penny because the gold color had started to peek through.
Link: NY TimesLate this summer, when Ms. Reed was paying for groceries at the C-Town supermarket in Greenpoint, she noticed the penny because the gold color had started to peek through.
I'm going to start checking any pennies I get more closely!
Is the bust of Nefertiti a fake?
Swiss art historian Henri Stierlin argues that the famous bust of Queen Nefertiti on display in Berlin's Pergamon museum is a fake. He says that it was created around 1912 as a way for an archaeologist to color test ancient pigments found at the digs, but when a German prince mistook it for an ancient work of art, the archaeologist didn't have the courage to correct his important guest. And so the statue came to be regarded as an ancient work of art. [Agence France Presse]Mystery Stones Explained
The mystery of why someone has been leaving white stones with cryptic black markings on them around Orleans, Massachusetts has been solved. The creator of the stones sent an explanatory letter to the local paper:The writer said the backward “R” and an “R” separated by three slashes on one line and an “X” book ended by two vertical lines underneath means “Remember 9-11.” He (most believe the writer is a male) said he came up with the design about two years ago “When I became disheartened from our straying from our Afghanistan objective of going after and getting Osama bin Laden in order to bring closure to 9-11,” he wrote.
If someone can figure out how you get "Remember 9-11" out of those symbols, let me know. [Wicked Local Orleans via Professor Hex]
Posted By: Alex | Date: Fri Apr 17, 2009 |
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Comments (11)
Category: Art, Hate Crimes/Terror, Places
Category: Art, Hate Crimes/Terror, Places
World’s Largest Lamb Sculpture
Status: Undetermined (but probably either pareidolia or a hoax)
Some guy named Bill Veall claims to have discovered the world's largest rock sculpture. It's somewhere in the Peruvian Andean mountains, and it's in the shape of a "sacred lamb". He says he found it by using satellite imaging techniques to search for ancient shapes and formations. I guess that rules out any possibility he's just seeing what he wants to see. (sarcasm)
From Sky News: "Mr Veall, who studies the relationships between astronomy and archaeological monuments, has faced a series of doubters who claim he doctored the images to create an elaborate hoax."
Big red flag indicating the skeptics may be right: Veall won't release the coordinates of the site. He says, "If I gave you the co-ordinates of the site, a million people would find it immediately... But we want to secure and preserve the site until we can get a scientific team to have a look at it."
Cranial Painting
Status: Hoax
In 1966, before becoming a regular on the Smothers Brothers Comedy Hour and before launching his perennial campaign for the US Presidency, comedian Pat Paulsen got into newspapers by pretending to be a "cranial painter". From the March 6, 1966 Mansfield News Journal:USING HIS HEAD -- Artist Pat Paulsen, who shuns more traditional means of painting, demonstrates how he produces masterpieces -- with "cranial painting." The 35-year-old San Franciscan, now appearing at the Ice House in Glendale, Calif., smears paint on his beard. top: really gets down to heavy work, center, and winds up, bottom, with as much paint on his kisser as on the canvas.
Another, slightly better quality of Paulsen cranial painting, is below.
The Mona Lisa Suicide
Status: Unlikely
Occasionally I've run across references to a French artist who supposedly committed suicide because he was driven mad by the mystery of the Mona Lisa's smile. There aren't many details to the story. The Telegraph, in an article from 2003, summarizes the entire tale:On June 23, 1852, a young French artist, Luc Maspero, threw himself from the fourth floor window of his Paris hotel. In a final letter, he wrote: "For years I have grappled desperately with [Mona Lisa's] smile. I prefer to die."
Many articles about the Mona Lisa casually include this tale without bothering to provide any references. For instance, it's mentioned in a 1999 Smithsonian article. Before that, the earliest reference I can find (searching in Google Books) occurs in an obscure 1966 work, Green Leaves: Harish S. Booch Memorial Volume. I came up empty-handed searching archives of nineteenth-century newspapers.
All versions of the tale, from 1966 onwards, are basically the same. No one ever supplies any information about who Luc Maspero was, or where the story of his unusual death originally came from. Tellingly, a 1961 article in the New York Times Magazine specifically about Mona Lisa's smile doesn't mention the Luc Maspero story. This suggests that the tale hadn't circulated very widely (at least in the English-speaking world) at that time.
Because the story of Luc Maspero sounds like an urban legend, and because I can't find any evidence to suggest that it's true, I'm going to list its status as "unlikely".
Benjamin West and the Venetian Secret
Status: Art Hoax
The Yale Center for British Art is hosting an exhibition about an obscure 18th-century art hoax (one that I had never heard of before). The exhibition is titled "Benjamin West and the Venetian Secret" -- which makes it sound a bit like a new Harry Potter novel. From Art Knowledge News:In 1796 Benjamin West, the American-born President of the Royal Academy of Arts in London, fell victim to a remarkable fraud. A shadowy figure, Thomas Provis, and his artist daughter, Ann Jemima Provis, persuaded West that they possessed a copy of an old manuscript purporting to contain descriptions of materials and techniques used by the Venetian painters of the High Renaissance, including Titian, to achieve the famously luminous effects of color that had long been thought lost, forgotten, or shrouded in secrecy. West experimented with these materials and techniques and used them to execute a history painting entitled Cicero Discovering the Tomb of Archimedes (1796–97). In truth the manuscript was fake and the story an absurd invention. West had believed it, and, through him, the Provises managed to dupe a number of other key artist-Academicians.
When the fraud was finally exposed, the embarrassment was far worse for West than it was for the other victims. It was largely through his influential position as President of the Royal Academy that the perpetrators gained access to so many of his variously hapless, dim-witted, or simply greedy colleagues. Years later, having been mercilessly held up to ridicule by satirists (in song; in the press; and in a remarkable satirical engraving titled Titianus Redivivus by James Gillray, 1797,Benjamin West - Cicero Discovering the Tomb of Archimedes, 1796–97, Oil on canvas - Collection of Mr. & Mrs. Michael D. Eisner. West painted an almost identical version of Cicero Discovering the Tomb of Archimedes (1804), this time according to his own methods and traditional studio practices. This “atonement” painting is today in the collection of the Yale University Art Gallery.
When the fraud was finally exposed, the embarrassment was far worse for West than it was for the other victims. It was largely through his influential position as President of the Royal Academy that the perpetrators gained access to so many of his variously hapless, dim-witted, or simply greedy colleagues. Years later, having been mercilessly held up to ridicule by satirists (in song; in the press; and in a remarkable satirical engraving titled Titianus Redivivus by James Gillray, 1797,Benjamin West - Cicero Discovering the Tomb of Archimedes, 1796–97, Oil on canvas - Collection of Mr. & Mrs. Michael D. Eisner. West painted an almost identical version of Cicero Discovering the Tomb of Archimedes (1804), this time according to his own methods and traditional studio practices. This “atonement” painting is today in the collection of the Yale University Art Gallery.