The Museum of Hoaxes
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Jennifer Love Hewitt's Disappearing Breasts
Did Paul McCartney die on Nov. 9, 1966?
Fake Fish Photos
Tube of liquor hidden in prohibition-era boot, 1920s
Eccentric's last prank, 66 years after his death, 1900
Man flies by own lung power, 1934
The Cottingley Fairies, 1917
Monkeys pick cotton, a 19th-century urban legend
Boy floats away in balloon, 2009
Princess Caraboo, servant girl who became a princess, 1817
William ‘Dad’ Martin’s Freak Postcards
Postcards had been around since 1869, but it wasn't until 1894 that pictures began to be printed on them. The photo postcards were an immediate success. Their popularity inspired photographers to experiment with ways to add more humor to them, and soon they had translated the idiom of the tall tale into visual form, creating tall-tall postcards, also known as "freak" or "trick" postcards.

Oversized crops and animals were a popular theme, especially in the Midwest where farmers got a kick out of sending pictures showing corn as big as trees and cabbages larger than barns to relatives back east. The oversized farm and dairy products evoked the idea of easy abundance at the heart of the American dream. The deeper joke was that these were actually hard years for America's farmers, which gave these cards an edge of dark humor.

William "Dad" Martin of Ottawa, Kansas was one of the masters of the genre and a great innovator in the art of photo fakery. His work was characterized by a fine attention to detail and lifelike effects. Martin's company, the Martin Post Card Company, made him a wealthy man. Fliers for his business read, "This is Dad Martin. He has been arrested for hunting. He is a fool about fishing. But wise on photography."

Martin was particularly good at portraying action in his trick postcards, as can be seen in the top image ("I Finally Got Him"). This set him apart from his peers whose images tended to be static and rather dull.

The middle image, "Bringing in the Sheaves," referred to a well-known hymn:

Bringing in the sheaves,
Bringing in the sheaves,
We shall come rejoicing,
Bringing in the sheaves.

The bottom image, "The Modern Farmer," is interesting since it shows an automobile. In 1909 cars were still newer than photography itself, and Martin often featured them in his postcards. Today these postcards are particularly sought after by collectors.

Links and References
• Rubin, C.E. & Williams, M. (1990). Larger Than Life: The American Tall-Tale Postcard, 1905-1915. Abbeville Press.
• Welsch, R.L. (1976). Tall-Tale Postcards: A Pictorial History. A.S. Barnes and Company.

All text Copyright © 2014 by Alex Boese, except where otherwise indicated. All rights reserved.