In 1496, when he was a young man, Michelangelo sculpted a sleeping cupid. He, or an accomplice, then buried it in acidic earth to give it an appearance of great age. The plan was to pass it off as an antiquity, which would allow it to fetch a higher price.

The artificially aged sculpture was sold through a dealer to Cardinal Raffaello Riario of San Giorgio. Eventually the Cardinal learned of the forgery, and he demanded his money back from the dealer. However, the Cardinal was so impressed by Michelangelo's obvious talent that he didn't press charges against the young artist. To the contrary, he allowed him to keep his percentage of the sale.

Michelangelo’s cupid eventually came into the possession of the d’Este collection in Mantua, where it was reportedly displayed side by side with a genuine antique sleeping cupid. But it is believed that the statue was destroyed in a fire in 1698. Even though it was a "fake", it would be considered priceless today, if it still survived. More→

The French painter Paul Chabas completed "September Morn" in early 1912. The painting shows a young woman demurely bathing nude by the edge of Lake Annecy in Haute-Savoie, France. When Chabas showed it that year at the Paris Salon, it won a gold medal of honor. Critics praised it. But when copies of the painting made their way to America, it provoked a bitter controversy there about nudity, art, and public morality. Thanks to this controversy, September Morn became one of the most famous and popular paintings of the twentieth century. It sold millions of copies and was reproduced on a wide variety of merchandise including umbrellas, suspenders, postcards, candy boxes, cane heads, and watch fobs. The painting is often cited as an example of "success by scandal." But in an ironic twist to the September Morn story, the publicist Harry Reichenbach later claimed to have started the controversy by complaining to moral censors about the indecency of the painting. He didn't actually feel the painting was indecent. He was cynically manipulating the self-righteous moralists in order to sell copies of the painting. It was an early example of a marketer staging a phony protest for the sake of publicity. More→

In 1924, Paul Jordan Smith, a Los Angeles-based novelist and Latin scholar, painted a picture of a South Seas islander holding a banana over her head. He intended the picture as a spoof of abstract styles of modern art such as Cubism, and as a joke he entered it into an art exhibition. He claimed it was the work of the Russian artist Pavel Jerdanowitch (a name he had invented), the founder of the Disumbrationist School of Art (another invention of his). Smith used the foreign name because he figured that painters with exotic names were always a bigger hit with critics. More→

The illustrator Hugh Troy was frustrated by the crowds at New York's Van Gogh exhibit, which made it hard for art lovers such as himself to view the works. He was also convinced that most of the people were there out of lurid interest in the man who had cut off his ear, not out of a true appreciation for the art. To prove his point, he fashioned a fake ear out of a piece of dried beef and mounted it in a velvet-lined shadow box. He snuck this into the museum and stood it on a table in the Van Gogh exhibit. Beside the box he placed a sign: "This is the ear which Vincent Van Gogh cut off and sent to his mistress, a French prostitute, Dec. 24, 1888." More→

In November 1946 the Los Angeles Art Association included a painting titled "Three Out of Five", by a previously unknown artist, Naromji, in an exhibition of abstract art. The work hung beside works by well-known modern artists such as Helen Lundeberg and Stanton Macdonald-Wright, and it was given a price tag of $1000. But the Art Association was embarrassed when, at the end of the month, the publicist/prankster Jim Moran revealed that he was the true author of the painting. Naromji was Moran spelled backwards, with a 'ji' "added for confusion." More→

In 1947 Han van Meegeren (1889-1947), a Dutch artist and art dealer, was arrested for collaborating with the Nazis. He was charged with selling a painting by Johannes Vermeer (1632-75) titled 'Christ and the Adulteress' to Reich Marshal Hermann Goering. This painting was considered a national treasure, making it a crime to sell it to the enemy.

Van Meegeren admitted selling the painting to Goering, but he defended himself by revealing that the painting was a forgery which he had painted himself. Surely it wasn't a crime to cheat the Nazis, he argued. More→

On February 5, 1952, a small ad ran on the theatrical page of the Washington Post offering the services of a company of "ghost artists": "Too busy to paint? Call on the Ghost Artists? We paint it, you sign it."

The idea of ghost artists caught the interest of the media, and a report about the company went out over the wire services and appeared in newspapers nationwide. The ghost artists were said to be earning lucrative fees from executives who wanted to impress their friends. Satisfied clients included military men, government officials, doctors, businessmen, and a Wall Street broker who commissioned an entire exhibition in order to break into "arty circles." More→

In 1964 four paintings by a previously unknown avant-garde French artist named Pierre Brassau were exhibited at an art show in Goteborg, Sweden. Art critics from Swedish papers praised the works. For instance, Rolf Anderberg of the morning Posten wrote: "Brassau paints with powerful strokes, but also with clear determination. His brush strokes twist with furious fastidiousness. Pierre is an artist who performs with the delicacy of a ballet dancer." However, one critic panned Brassau's work, suggesting that "Only an ape could have done this." As it turned out, the latter critic was correct. Pierre Brassau was, in fact, an ape. Specifically, he was a four-year-old West African chimpanzee named Peter from Sweden's Boras zoo. More→

At the 12th Annual Mid-Mississippi Art Competition, held in October 1974, there were gasps and cries of surprise when artist Alexis Boyar walked up to the stage to receive the blue ribbon and $50 cash prize he had won for his entry in the weaving category. The shock wasn't caused by the art. Rather, it was caused by the artist himself, since he didn't seem to fit the entrance criteria. Specifically, he wasn't human. He was, in fact, a 6-year-old Afghan hound dog. More→